This restaurant interior features plaid-patterned booths with brown leather seats separated by white geometric lattice screens. Brass dome pendant lights hang above wooden tables, while a navy blue wall and exposed brickwork add texture to the space.
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Post Street Social

Franklin Wharf, Hobart, Tasmania 2015

Art boom.

After the opening of the Museum of New and Old Art (MONA) in 2009, Hobart experienced a boom in art and cultural offerings that has attracted national and international tourists to the island state. With the majority of visitors to Mona arriving via ferry, the creation of a new pier and retail offerings within the Franklin Wharf precinct has improved the arrival sequence to Mona, and simultaneously leveraged visitor numbers to support local crafts and products.

More to eat and drink.

Opposite the ferry departure point is a row of Victorian Italianate buildings, which have hosted a number of uses including State Government offices and, more recently, hospitality and dining.

Over this time, a series of unsympathetic renovations have cluttered the lofty interiors, buried the original fabric and restricted operations, particularly in relation to the neighbouring precinct changes.

In developing new bar and restaurant Post Street Social, we started by removing existing walls and suspended ceilings to expose the original cornices and brick. The bar was repositioned from the back of the space to a central island, creating a much more welcoming atmosphere, and opening up the adjacent spaces to accommodate a diverse range of seating configurations and dining experiences.

This space features a black brick fireplace with white grout and a narrow mantel displaying magazines. A wooden bar stool sits nearby against a wall decorated with bold red, white, and blue graphics.

Classical elements.

The historic fabric was retained, and classical elements were introduced in an inventive way: a dining alcove with walls covered in ornate ceiling roses, bespoke decorative skirting boards along the bar front, and detailed stencil tile patterns around the serving space. Contemporary elements showcase the craftsmanship of local products and makers with new booth spaces lit by Ross Gardam’s Ora brass pendants, graphics and branding by Adam Gibson, and Hobart-made bespoke tables and basins in the dining area and bathrooms respectively.

This interior view showcases a white geometric lattice screen that serves as a decorative room divider. In the background, a warm, wood-paneled space is visible, featuring high bar tables and stools illuminated by soft, glowing wall lights.
This view features a plaid-patterned booth with brown leather seating, centered against a deep blue wall. A brass pendant light hangs above the wooden table, which is flanked by white geometric lattice screens on a light tiled floor. This modern bathroom features a long black trough sink with two chrome faucets set against a large white-framed window. Grey subway tiles line the wall beneath a large mirror, which reflects three minimalist pendant lights hanging from the ceiling.
Seen through a window with green leaves, a white ferry is docked beside a long, industrial-style building. Dark outdoor benches sit in the foreground under an overcast sky.